Great Gatsby Character Journal - 4622 Words

The Great Gatsby Journal Chapter 1 Summary- In Chapter 1, the reader finds that Nick Carraway, a moral and tolerant man from the Midwest, narrates and takes the role of author for the rest of the story. Throughout the book, the reader looks at the happenings through Nicks eyes and finds out what he is thinking. Chapter 1, like many chapter 1s, starts out with someone or something explaining themselves and showing how their life has gone thus far. The Great Gatsby is no exception. Nick says that he came from the Midwest to New Yorks West Egg on Long Island. As the name might imply, there is also an East Egg, which Nick describes the more fashionable of the two. East Egg is where Nick goes one evening, in order to reacquaint himself†¦show more content†¦He, obviously, is the narrator, and the person whom we see the story through. He gives us his opinions on the matters at hand, and we see the book through his viewpoint. The traits described above allow him to be such a great narrator, for he can get people to c onfide in him, and relay this information to the reader. Quote- This is a valley of ashes ¼ Pg. 27 Evidently some wild wag of an oculist set them there to fatten his practice in the borough of Queens and then sank down himself into eternal blindness or forgot them and moved away. Describing the eyes of Dr. T.J. Eckleburg, an advertisement in the Valley of Ashes Pg. 27-28 These quotes describe two of maybe three important symbols in the book. The Valley of Ashes signifies the open road ahead which civilization is going for, yet the ashes symbolize the decay of society, where the pursuit for wealth leaves behind a mark. This mark could be considered a mark of poorness that the non-pursuers have to deal with. The eyes of Dr. T.J. Eckleburg signify the watchful eyes of God upon what America did in the 1920s. The Americans blindness of the time resulted in industrial problems throughout the country. Chapter 3 Summary- In Chapter 3, Nicks long awaited and wanted introduction of Gatsby happens. It happens at Gatsbys party, in which Nick is given an invitation to by a chauffeur in symbolic robins egg blue. While at the party, Nick searches for a friend in which to attend the party withShow MoreRelatedThe Great Gatsby By F. Scott Fitzgerald850 Words   |  4 PagesGreat Gatsby Journal The novel The Great Gatsby by F. Scott Fitzgerald is written in the 1920 s during the prohibition, and the characters values and goals really shaped the theme. The book was written about how people lived and acted during the 1920 s. This paper will cover; how the values and goals of the characters were shaped by the values and goals of people in the 1920 s, how the values and goals of the characters shaped the setting of the novel, and lastly the overall theme of theRead MoreDeath and Funeral in the Great Gatsby by F. Scott Fitzgerald Essay1516 Words   |  7 Pagesof the novels final sentences, Nick unites Gatsbys effort with a general, if unspecified, national collective. Although to Nick, Gatsby seems at once completely unoriginal, extremely knowable, being with him, he notes, was like skimming hastily through a dozen magazines† (Fitzgerald 55). Gatsby, in Nick’s point of view, was disruptive. He is unable to trust Gatsby, for a fear that he would just vanish at the moment in which a promise leans toward its fulfillment. This process, according to WillRead MoreNarratology in The Great Gatsby1308 Words   |  6 PagesFitzgerald’s The Great Gatsby demonstrates what Marie-Laure Ryan, H. 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Jay Gatsby in The Great Gatsby and Amory Blaine in This Side of Paradise are unsuccessful in their attempt to attain the attention of the person they like, lose connections with people, and their wealth did not getRead MoreThe Importance Of Colorism In The Great Gatsby1020 Words   |  5 Pagesexplored by his 1925 novel The Great Gatsby are no exception. Fitzgerald plays with colors to quite literally paint the town of New York and its surroundings. These colors suggest things about his cast of characters that one might have otherwise missed. Fitzgerald cleverly weaves color into Jay Gatsby’s li fe to delineate his chase of Daisy, Daisy’s character development, and the reality of life. In the conclusion of the first chapter, narrator Nick Carraway watches Gatsby reach toward a distant greenRead MoreInfluence of Women in The Great Gatsby Essay750 Words   |  3 Pagesï » ¿Female Great Gatsby Journal Though the Great Gatsby is a male dominated book, there are a few women who have great influences. Daisy Buchannan is the main female character, having romantic relations with both Tom Buchanan and Jay Gatsby. Myrtle Wilson is a woman who is married to a hardworking man, but she remained unfaithful throughout the length of the novel. Lastly, Jordan Baker is probably the least mentioned woman but had an equally important role as the others. Fitzgerald used the developmentRead MoreEssay on The Corruption of the American Dream in The Great Gatsby1302 Words   |  6 Pages On April 10, 1925 F. Scott Fitzgerald published The Great Gatsby, a novel that would later become one of the best known pieces of classic literature in history. However, at the time of its publication, Gatsby was fairly unpopular ad the reviews were never consistent. As shocking as it may seem, I believe it is because Fitzgerald’s intelligence and creativity levels were way ahead of his time , which is evident when one pays close attention to the themes of the novel. ForgivenessRead MoreThe Great Gatsby By F. Scott Fitzgerald1101 Words   |  5 PagesEnglish 1302 Paper #7 The Great Gatsby 7 May 2015 American Dream Realities In the novel â€Å"The Great Gatsby† by F. Scott Fitzgerald, the story of a man named Jay Gatsby is told through the perspective of Nick Carraway. Gatsby had a special plan for what he thought his life should consist of, and stopped at nothing to make sure that he rose above his poor roots into a wealthy, socially admirable status. With hopes of winning over the heart of his former lover, Daisy Buchanan, Gatsby took every measure heRead MoreThe Great Gatsby By F. Scott Fitzgerald1300 Words   |  6 Pagesbook, one such case is The Great Gatsby by F. Scott Fitzgerald; a classic novel that gives us a glimpse into the vivacious 1920s. The story begins with Nick Carraway (the narrator) explaining the backstory of his life. He lives in a fictional town on Long Island, named West Egg, across the bay from his cousin Daisy Buchanan and next to a mysterious man named Jay Gatsby, whom he rarely sees. Daisy is married to Tom Buchanan, a hypocritical and arrogant man of old money. Gatsby on the other hand is anRead MoreWhat Is The Adaptation Of The Great Gatsby895 Words   |  4 Pagesthe book The Great Gatsby. I will examine major differences such as setting, soundtrack, and wardrobe choices. In addition, I will discuss character developments in both the two movie revisions I have chosen, and the book. Furthermore, I plan to explain oxymorons used throughout the plot of the story, and how they were manipulated in films. This is important because many do not understand the deeper meaning of The Great Gatsby because they watched the recent adaptation. The Great Gatsby is a classic

A History of Portraiture Essay Example For Students

A History of Portraiture Essay The best record of non-photographic portraits would of course be statues in the pre-Roman era. Some of the earliest portraits date back to B. C. The most popular of these type of portraits were those done in Egypt. It was common to do a funeral portrait or a â€Å"mummy portrait. While in this time it was difficult to capture a person’s essence and personality in stone these types of portraits were used often to remember the deceased. Many other portraits were done during the medieval period in Europe. However, the church ruled in Europe during this time period. It was looked down upon to have a portrait done unless you were a noble figure or trying to reenact a consecrated figure of the church. Why you ask? Well it would give the subject of the portrait a likeness to God. Portraiture became extremely dominate in the Renaissance Era. During this period the use of perspective and light helped to create a more photorealistic portrait. Shadow was used to create depth and form in paintings. This got rid of the common â€Å"flat look† which pictures seemed to possess before this era. Artists such as Leonardo De Vinci and Rembrandt affected the way which portraits were created. We will write a custom essay on A History of Portraiture specifically for you for only $16.38 $13.9/page Order now Leonardo added color and layered his oil paints when doing portraits to give them a softer glow. Rembrandt added four different aspects, in his paintings, and to the way modern photographic portraiture is used today. The first is known as â€Å"Rembrandt lighting. With this type of lighting there is a small highlight on the shadow side of the face. By positioning the shadow differently it adds much more texture to the image than if the person’s face were entirely in the light. The second aspect would be choosing to face the subject slightly away from the light source, this is also known as â€Å"broad lighting. The third would be the ability to take into account the surroundings of the subject or the background. By giving the background lighting affects this added depth to his portraits. Lastly Rembrandt used a white cloth and draped it above the top of the window. This made sure that the light from the window would refract back downwards and surround his subject. The use of technology also became a part of portrait painting during the late Renaissance. Optic projections had become common knowledge by then. However, there is evidence to suggest that camera obscura and the use of mirrors was also common when painting portraits. The use of these techniques and tools while essential to painting, also became essential in photography as well. In the year 1839, portraiture changed from using subjects in paintings to capturing those subjects in photography. In that year both William Talbot and Louis Daguerre introduce the Daguerreotype and the Calotype. After both of these techniques had been introduced painter Paul Roche declared the art of painting to be dead. While incorrect, both the Calotype Daguerreotype did alter the art scene, especially when it came to portraiture. Photography lessened the time it took to make a portrait. While painting a portrait took hours of sitting completely still, with photography it took much less time to take and develop the portrait. As more time passed the faster and easier portraiture, in photography, could be done. Soon new materials reduced exposer time from fourty-five minutes to a few seconds, leaving more time to spend editing photographs. When the wet collodion process was introduced it became more assessable and affordable for the individual to do his or her own portraits. It was no longer a rich mans art. One of the most famous portraitists, who came about during this time, was Julia Margaret Cameron. She set the standard to not only capture your subject but to also capture the emotions the subject evokes. As the wet collodion process became more and more popular the number of people involved in portraiture also increased. Four more processes were added to development of pictures: the ambrotype, tintype, carte-de-viste and cabinet cards. The last two were types of card photographs. The less costly tintype became more popular than the ambrotype. It was easy to access and much less expensive. The tintypes started becoming increasingly in demand during Civil War and continued to be used up until the twentieth-century. Tintype studios became such a request that the photographs were sold at no more than a penny a piece. While this type of process is not in use today the poses which are used in tintypes are commonly used in â€Å"yearbook photographs† or â€Å"senior pictures. Also, during this time many painters started to use photography to work off of instead of requiring the subject to sit for hours on end in front of them. One of the painters, by the name of Franz Lenbach, had several photographers venture around Europe to take numerous images, which he could then convert to portraits. With the furthering of technology photographers could think more outside of the box when it came to positions in which to put their subject in. This allowed photographers to leave the studio as well. One of the most famous photographers, Edward S. Curtis, traveled throughout the United States taking many documentary pictures, as well as portraits. Another photographer, Irving Penn, actually took a small tent with him, creating the â€Å"world’s smallest dark room. As the popularity of photography increased, so did the formation of clubs and societies. Among these is the Royal Photographic society and The Professional Photographers of America. .ud0ebd197552b55ab165976187041d8dd , .ud0ebd197552b55ab165976187041d8dd .postImageUrl , .ud0ebd197552b55ab165976187041d8dd .centered-text-area { min-height: 80px; position: relative; } .ud0ebd197552b55ab165976187041d8dd , .ud0ebd197552b55ab165976187041d8dd:hover , .ud0ebd197552b55ab165976187041d8dd:visited , .ud0ebd197552b55ab165976187041d8dd:active { border:0!important; } .ud0ebd197552b55ab165976187041d8dd .clearfix:after { content: ""; display: table; clear: both; } .ud0ebd197552b55ab165976187041d8dd { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ud0ebd197552b55ab165976187041d8dd:active , .ud0ebd197552b55ab165976187041d8dd:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ud0ebd197552b55ab165976187041d8dd .centered-text-area { width: 100%; position: relative ; } .ud0ebd197552b55ab165976187041d8dd .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ud0ebd197552b55ab165976187041d8dd .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ud0ebd197552b55ab165976187041d8dd .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ud0ebd197552b55ab165976187041d8dd:hover .ctaButton { background-color: #34495E!important; } .ud0ebd197552b55ab165976187041d8dd .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ud0ebd197552b55ab165976187041d8dd .ud0ebd197552b55ab165976187041d8dd-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ud0ebd197552b55ab165976187041d8dd:after { content: ""; display: block; clear: both; } READ: Quick History Of Art Essay Research PaperSeveral schools came about to train photographers in a strong portrait course. While they were all named schools, education was not the primary purpose for them. Many photographers gathered at the schools to share their different techniques or ideas. As photography changed through its technology and use so did portraiture. One of trends which came about in the late 19th century was pictorialism. A few of the photographers who’s work was greatly affected by this movement were Alfred Stieglitz, Edward Steichen and Clarence White. With this type of photography the photograph had a more romantic and soft look to it. With the publication of Camera Work, photography was given equal status to other forms of art, such as painting. Then came along the three photographers which impacted portraiture in an incredible way. The first portraitist was Cecil Beaton. He was a British portrait photographer and theatrical designer. His earliest portraits were of his sisters Nancy and Baba. He was educated at Harrow and Cambridge, but never finished out school. His career took an entirely different turn when he visited New York City. He received contracts with Vogue, Vanity Fair and Harper’s Bazaar. His work primarily focused on cultural icons in his day. His wanderlust compelled him to travel. Hollywood stars captured by his camera included Gary Cooper, Marlene Dietrich, Greta Garbo, and Katherine Hepburn, while painters ranged from Salvador Dalà ­ to Francis Bacon. His portraits spanned parts of six decades. In the 1930s he was commissioned to take a series of pictures of Queen Elizabeth. This job eventually led him to become the official Royal Family Portraitist. During World War II he was taken out of his glamorous environment and became a war photographer. His abilities, while were extremely obvious in photography, extended beyond that. He was also a writer and illustrator. His obvious association with celebrities of all kind gave him an influence on the way portraits were taken. While he used mostly standard poses he got his subjects to really convey certain sides of their personality which much of the world had not seen before. The second influential portraitist was Yousuf Karsh. Karsh was born in Turkey; he left turkey for Canada during World War II. He moved in with his uncle and soon was taught the basics of photography. His uncle then sent him to Boston under an apprenticeship. After three years of being under the wing of popular portrait photographer John H. Garo he moved back to Canada. In the nations capital of Ottawa, he opened a modest portrait studio. He hoped that its locations would be prime for photographing its important figures and international visitors. Karsh was quoted as saying in the Independent. So meager was Karshs budget for the launch of his own studio that most of the furniture consisted of orange crates. In his spare time, Karsh became involved with a local theater group, where he learned more about lighting and the use of artificial light in photography. It was at the theater group that the photographer first met actress Solange Gauthier. He later married her. One of the more unique things which Karsh did was to study his subjects before he took photographs of them. In an account of his preparations for a photo shoot, Karsh wrote, as quoted in the Independent, Before I begin, I will have studied my subject to the best of my ability, and within broad limits know what I am hoping to find, and what I hope to be able to interpret successfully. The qualities that have attracted me to the subject are those that will satisfy me if I can portray them in the photograph, and that will most probably satisfy views of the picture as we ll. I am fascinated by the challenge of portraying greatness with my camera (Yousuf). Karsh first captured international attention with his December 1941 portrait of British Prime Minister Winston Churchill. During a brief visit to Ottawa, Churchill reluctantly agreed to sit for Karsh. He warned the photographer that he would give him two minutes and not a second more to take his picture. With that, Churchill lit up one of his trademark cigars. Seconds later, Karsh snatched the cigar from Churchills lips and then snapped the picture. The resulting photo was sold to Life magazine for only $100. This photograph eventually became the most widely reproduced portrait in the history of photography. The portrait of Churchill gave Karsh recognition all over the world. Not long after this the Canadian government sent Karsh to England to photograph several British military leaders. The widely circulated Churchill portrait brought a major change in Karshs life. No longer did he have to seek out subjects. They came looking for him. To be Karshed was a true sign that a celebrity had arrived. Karsh photographed every American president from Herbert Hoover to Bill Clinton. Although no one other than Karsh knows for sure, it has been estimated that he photographed 17,000 people over six decades. .u7be246669d49e224ec1fbac581793417 , .u7be246669d49e224ec1fbac581793417 .postImageUrl , .u7be246669d49e224ec1fbac581793417 .centered-text-area { min-height: 80px; position: relative; } .u7be246669d49e224ec1fbac581793417 , .u7be246669d49e224ec1fbac581793417:hover , .u7be246669d49e224ec1fbac581793417:visited , .u7be246669d49e224ec1fbac581793417:active { border:0!important; } .u7be246669d49e224ec1fbac581793417 .clearfix:after { content: ""; display: table; clear: both; } .u7be246669d49e224ec1fbac581793417 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u7be246669d49e224ec1fbac581793417:active , .u7be246669d49e224ec1fbac581793417:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u7be246669d49e224ec1fbac581793417 .centered-text-area { width: 100%; position: relative ; } .u7be246669d49e224ec1fbac581793417 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u7be246669d49e224ec1fbac581793417 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u7be246669d49e224ec1fbac581793417 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u7be246669d49e224ec1fbac581793417:hover .ctaButton { background-color: #34495E!important; } .u7be246669d49e224ec1fbac581793417 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u7be246669d49e224ec1fbac581793417 .u7be246669d49e224ec1fbac581793417-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u7be246669d49e224ec1fbac581793417:after { content: ""; display: block; clear: both; } READ: World History Renaissance 9th GradeAnother part of Karsh, which made him such a great photographer, was that he was deeply respected by his subjects. His brother said â€Å"People knew they had a master with them and they appreciated that opportunity. † Karsh sought to bring out people’s true personality and world views in his photography. One of the most famous quotes is â€Å"I believe that it is the artists job to accomplish at least two things-to stir the emotions of the viewer and to lay bare the soul of his subject. When my own emotions have been stirred, I hope I can succeed in stirring those of others. But it is the mind and soul of the personality before my camera that interests me most, and the greater the mind and soul, the greater my interest (Yousuf). The last photographer which effected portraiture on a grand scale was Arnold Newman. Arnold Newman was an American photographer. He tended to specialized in portraits of well-known people posed in settings associated with their work. This approach is known as â€Å"environmental portraiture†. He started out studying art at the University of Miami in Florida. After that he took a job as an assistant in a photography studio. In 1941 he was blessed with his first exhibition in New York City. He continued to visit New York until he finally moved there and opened his own studio in 1946. Although his early portraits concentrated on well-known artists, he gradually broadened his subject matter to include famous people of all types, such as: writers, composers, political leaders and scientists. He always posed them in a way which best reflected their personality and occupation. The 76 photographic portraits of eminent Britons that Newman made for the National Portrait Gallery in London were published in the book The Great British. As you can tell these three while coming from different backgrounds and parts of the world all have one thing in common. They try to reflect part of the subject’s emotions or experiences in the photograph. While some people in portraiture do not use these techniques without them it isn’t much of a portrait. Yes there are portraits of people which are used in the year book but they aren’t as exciting as these ones. In order to create dynamic photos a photographer must decide what particular emotion or feel the photographer wants the viewer to recognize. For this it is essential to understand the subject in order to make a good portrait. People want to be understood, and to relate to the photographer making their portrait. Much of portrait photography focuses primarily on the face or eyes of a subject. It is said that eyes are windows to a person’s soul, which makes sense for why it is so popular in portrait photography. Light Dynamics are what make portraits possible and interesting. This has always been true with painting, and it is true now with digital portraiture. Photographers as well as painters use light to make portraits come alive. Light gives figures form and volume through the addition of highlights and shadows. While light dynamics brighten portraits, we rarely see the light source itself. When light is visible in a portrait we generally see light that is scattered, or out of focus. While some people believe that portrait photography is not an essential part of photography, they could do without it, that it is simply â€Å"documentation. † While yes, in the beginning of portraiture painting and portrait photography it was strictly for the rich and noble figures of the time. Today Portrait photography has become vital. It is safe to say that photography would not be what it is today without portraiture. From a very early age we are subjects of photography, especially in portraiture. It captures humans through their greatest achievements, such as graduating their college of choice, or the little ones, such as the first day going to the beach. Either way portraits capture something about human beings. It encompasses not only the physical and outer image but also the inner image of ourselves. Bibliography: Admin. Understanding Portrait Photography. A Photography Blog. 121 Clicks, n.d. Web. 20 Oct. 2012.  . Benigno, John. Masters of Photography. Cecil Beaton. N.p., 09 Jan. 2011. Web. 18 Oct. 2012.  . Newman, Arnold, and Philip Brookman. Arnold Newman. Kà ¶ln: Taschen, 2000. Print. Rand, Glenn, and Tim Myer. A Very Brief History of Photography. N.p.: Rocky Nook, n.d. Book. 28 Dec. 2009.  . Tippett, Maria, Dr. Portrait in Light and Shadow: The Life of Yousuf Karsh. N.p.: Yale UP, n.d. Print. Yousuf Karsh Biography. Yousuf Karsh Biography. Encyclopedia of World Biography, 2010. Web. 17 Oct. 2012.  . 10 Famous Portrait Photographers You Have To Discover! Famous Portrait Photographers You Have To Discover! Photography Art Cafe, 2011. Web. 22 Oct. 2012.